Open Letter to Filmmaker Mohsen Makhmalbaf: Please Be a Messenger of Freedom for Iranian and Palestinian People

[Mohsen Makhmalbaf. Photo by Cines del Sur via Flickr] [Mohsen Makhmalbaf. Photo by Cines del Sur via Flickr]

Open Letter to Filmmaker Mohsen Makhmalbaf: Please Be a Messenger of Freedom for Iranian and Palestinian People

By : Jadaliyya Reports

[The following open letter is being circulated to publicize and opposed Iranian filmmaker Mohsen Makhmalbaf`s participation in the Jerusalem Film Festival and his acceptance of  an achievement award from the fesitval. The Persian and Arabic versions of the open letter follow the list of signatories.

Open Letter to Mr. Mohsen Makhmalbaf: Please Be a Messenger of Freedom for Iranian and Palestinian People

We, the undersigned, are a group of Iranian scholars, artists, journalists and activists who are deeply concerned by the recent decision of Iranian filmmaker Mohsen Makhmalbaf to take part in the Jerusalem International Film Festival from July 4-13, 2013. His participation directly violates the International call for Boycott, Divestment, and Sanctions (BDS) of the State of Israel issued by Palestinian civil society in 2005, as well as the specific call for Academic and Cultural Boycott of Israel issued in July 2004.

As human beings of conscience, we are appalled by the brutality Palestinians undergo at the hand of Israeli occupation and we are supportive of the non-violent global BDS movement which seeks to pressure Israel to implement an equitable, just solution to the ethnic cleansing of 1948, the occupation of Palestinian lands since 1967, and the current implementation of an apartheid system. We are deeply dismayed at Mr. Makhmalbaf’s disregard for the global movement for Palestinian human rights and the implicit support for Israel’s apartheid policies that his decision to attend a film festival directly sponsored by the Israeli government represents, particularly given that he is being prominently honored by the festival with a special tribute.

Mohsen Makhmalbaf is a prominent Iranian filmmaker who for years has depicted the harsh realities of the most marginalized sectors of Iranian society in vivid detail. His 1989 Marriage of the Blessed, for example, staged the reality of Iran-Iraq war and showed us the ethical and political struggles of ordinary subjects within violent contexts. He showed us how to bear witness to the reality of violence. His continued persistence on truth and justice has forced him into exile from his homeland. How can we forget what he himself taught us when the plight of the Palestinians today demands such a reckoning?  

We are deeply concerned that an artist so attuned to the brutalities of state violence in his homeland would have absolute disregard for the nonviolent global BDS movement and its work to peacefully pressure the Israeli state to respect Palestinian human rights. As Iranians who condemn the daily realities of oppression and state violence in Iran, we find it unconscionable that Mr. Makhmalbaf has accepted to take part in the Jerusalem International Film Festival.

We would like to use this opportunity to remind Mr Makhmalbaf of the fact that Palestinian civil society has appealed to international artists not to take part in cultural events taking place in Israel while Israel continues to ignore United Nations resolutions, to flout international law, and to deprive the Palestinian people of their most elementary human rights. In the past three years many prominent artists have responded to the appeal by refusing to appear in Israel, and others who had initially accepted this invitation have cancelled their performances, preferring to show their support for the struggle of the Palestinian people against Israeli oppression.

Performing in Israel today is a political statement. Israel openly admits to using cultural events as a propaganda tool, and we have no question that it will use Mr Makhmalbaf`s image for its global campaign to  camouflage its systematic violation of the most basic human rights of the Palestinian people. Mr Makhmalbaf`s presence will be instrumentalized as a token for  Israeli “tolerance” while Israel  continues to implement the most intolerant of colonial policies against Palestinian people, and advocates the most unprecedented and crippling sanctions against Iranian people. Mr Makhmalbaf`s films will be screened before a segregated audience. Only a few of his Palestinian fans in Gaza or in the West Bank- to say nothing of the 4.5 million Palestinian refugees elsewhere who are similarly denied free movement in their homeland- will be allowed to come and watch this film.

The Jerusalem International Film Festival is being held at Jerusalem Cinematheque, located in between three Palestinian villages that were ethnically cleansed by the State of Israel in 1948. The ruins of these villages today overlook the Cinematheque. We cannot forget, as the Israeli government wants us to, the history and the memory of Dayr Aban (1948 population: 2,436), Jarash (1948 population: 220), and Bayt Nattif (1948 population: 2,494), as well as the struggle of their refugee descendents who today number more than 30,000. We ask Mr. Makhmalbaf, whose movies are reminders of life in ruins and displacement to remember and bear witness to the continued displacement of Palestinians by the Israeli government by joining the BDS movement.  

As Iranians ourselves, we know the realities of state-sponsored oppression, violence and brutality against innocent civilians. This is especially true with regards to the Baha’i community, the subject of Makhmalbaf’s latest film. We recognize the repression that led to Mr. Makhmalbaf’s own exile, and we sympathize with his suffering as a filmmaker who has been persecuted by the Iranian regime. At the same time we insist again on the political and ethical responsibilities that we as human beings have to resist oppression and tyranny wherever they may be.

We cannot in good conscience stand by Mr. Makhmalbaf and his decision which will inevitably validate the Israeli occupation, apartheid and ethnic cleansing. We ask not only that Mr. Makhmalbaf stand with the Boycott, Divestment, and Sanctions Movement, but that he be a messenger of liberation for everyone, including both Palestinians and Iranians.

 

Signatures:

Institutional affiliations are provided for identification purposes only. Views expressed represent only individuals, not organizations.

 

Ali Mirsepassi, Professor of Middle Eastern Studies and Sociology, New York University

Alireza Doostdar, Assistant Professor of Islamic Studies and the Anthropology of Religion, University of Chicago

Arang Keshavarzian, Associate Professor of Middle Eastern and Islamic Studies, New York University

Asef Bayat, Catherine and Bruce Bastian Professor of Global and Transnational Studies and Professor of Sociology and Middle Eastern Studies, University of Illinois at Urbana-Champaign

Azadeh Shahshahani, National Lawyers Guild

Banafsheh Madaninejad, Faculty, Southwestern University

Elaheh Amani, Scholar, Women and Human Rights Activist

Elaheh Rostami-Povey, Lecturer, School of Oriental and African Studies (SOAS), University of London

Ervand Abrahamian, Distinguished Professor of Iranian and Middle Eastern History and Politics, Baruch College

Farhang Rouhani, Associate Professor of Geography, University of Mary Washington

Fatemeh Keshavarz, Professor of Persian, University of Maryland

Golbarg Bashi, Faculty, Iranian and Middle Eastern Studies, Rutgers University

Hamid Dabashi, Hagop Kevorkian Professor of Iranian Studies and Comparative Literature, Columbia University

Hanan Hammad, Assistant Professor of History, Texas Christian University

Kamran Rastegar, Assistant Professor of Arabic Program, Tufts University

Kaveh Ehsani, Assistant Professor, International Studies Department, DePaul University

Laleh Khalili, Associate Professor in Middle East Politics, School of Oriental and African Studies (SOAS), University of London

Leyla Shirazi, Havaar

Mahbod Seraji, Author, Rooftops of Tehran

Mahmood Karimi-Hakak, Professor of Creative Arts (Theater), Siena College

Maryam Monalisa Gharavi, Writer, Filmmaker, Lecturer in Literature and History, Harvard University

Mohammad Borghei, Professor, Strayer University

Mohammad Sahimi, Professor of Chemical Engineering and Materials Science, University of Southern California

Sholeh Shahrokhi, Professor of Anthropology, Butler University

Ziba Mir-Hosseini, Professorial Research Associate, Centre for Islamic and Middle Eastern Law, School of Oriental and African Studies (SOAS), University of London

Adam Nima Pourahmadi, Journalist

Ahmad Azadandish, Student of History, Payam-e Noor University of Ahvaz

Ahmad Morshedian, Postgraduate, Sharif University of Technology

Ahmad Salaj, Social Activist

Aida Ghajar, Journalist

Alex Shams, Political Activist

Ali Abdi, PhD Candidate, Yale University

Ali Fathollah-Nejad, PhD Student, School of Oriental and African Studies (SOAS), University of London

Ali Hajji Ketabi, Member of the Scientific Committee of Academic Center, Jahad-e Daneshgahi

Ali Marzoughi, Political Activist

Ali Taghipour, Student

Alireza Alikhani,

Alma BahmanPour, Student

Amir Ali Postchi, Student

Amir Rashidi, Human Rights Activist

Amir Saffarian, Social and Political Activist

Amir Vareste Heidari, Artist and Cultural Activist

Ana Ghoreishian, PhD student, Department of History, University of Arizona

Arash Abazari, PhD Candidate of Phisophy, John Hopkins University

Arash Bahmani, Journalist

Arash Bineshpajouh, Film Maker, Human Rights/LGBT Activist

Arash Rahmati, Philosophy Student, Berlin

Atefeh Yousefi, Researcher

Aydin Ekhvan, Political Activist, Journalist

Azadeh Assadi, Social Activist

Azadeh Sobout, Social Activist

Azin Ghaffari, Student, Tehran

Babak Mina, Philosophy Graduate Université Jean Moulin Lyon, Journalist

Bagher Ahmadi, Doctorate of International Law

Bahar Aghashiri, Student of Pharmacy, University of Arizona

Beeta Baghoolizadeh, University of Pennsylvania

Behdad Bordbar, Journalist

Behnam Amini, Student of Political and Social Thought at York University, Canada

Behnam Barahouyi Nokhat, Translator

Behnam Darayizadeh, Lawyer and Journalist

Behrouz Alavi, Civil Activist

Bitta Mostofi, Lawyer and Activist

Daro Behroozi, Musician, Composer, and Member of Havaar: The Iranian Initiative against War, Sanctions and State Repression

Dorsa Jalalian, Architect

Ehsan Mansouri, Student

Ehsan Soltani, Student of Sociology, Political Activist, Blogger

Ehteram Shadfar, Women`s Rights Activist

Elham Mireshghi, Anthropology Graduate, UCI

Farah Taheri, Journalist

Farahmand Alipour, Journalist

Farhad Rouhi, Political and Civic Activist

Farshid Faryabi, Journalist

Farzaneh Bahrami, PhD student, EPFL (École Polytechnique Fédérale de Lausanne)

Fatemeh Lilazi,

Fatemeh Masjedi, Research Fellow, Berlin

Fatemeh Mizbani, Teacher

Fereydoon Taheri, Doctorate student at Universite Libre de Bruxelles

Firouzeh Mohajer, Women`s Rights Activist

Foad Shams, Journalist

Gelare Khoshgozaran, Artist

Ghazal Dehghani, Master`s Student of Mechanical Engineering, University of Arizona

Gholamreza Kashi, Sociology Graduate

Ghoncheh Ghavami, Law Graduate, SOAS

Golnaz Esmaili, Artist

Goudarz Eghtedari, Journalist

Hamed Sarafpour, Human Rights Activist

Hamid Houshangi, ex-Journalist, Former News Deputy of Irna

Hamid Parnian, Translator

Hamideh Nezami, Women`s Rights Activist

Hanif Rahbari, Doctoral Student of Electrical and Computer Engineering, University of Arizona

Hemn Seyedi, Writer

Hesam Nasiri, Film Critic

Hesam Salamat, Social Activist

Holly Dagres, Scholar

Hooman Taheri, Civic Activist

Hossein Gilaki, Journalist

Hossein Moghaddam, Human Rights Advocate

Ibrahim Targhinejad, Journalist

Kamran Akhshi, Political Activist

Kamran Ghasri, Activist with Israel Divestment Campaign

Kamran Matin, Lecturer in International Relations, Sussex University

Kamyar Jarrah, Academic

Kaveh Kermanshahi, Human rights Defender

Kaveh Rezaei Shiraz, Social Activist

Kawsar Gohari, Lawyer

Keyvan Sadri, Student, Ruprecht Karl University of Heidelberg

Kouhyar Goudarzi, Journalist, Human Rights Activist

Kowsar Gohari, Attorney at Law

Leila Asadi, Women`s Rights Activist

Leila Pourtavaf, PhD Student of History, University of Toronto

Leila Zand, Middle East Program at Fellowship of Reconciliation

Leyli Behbahani, PhD Candidate, SOAS

Lili Panahi, Human Rights Attorney

Mahfarid Mansoorian, PhD Candidate, Technical University of Berlin

Mahsa Saloor, Student, Städelschule

Mahta Ahmadnia, Master of Architecture Student, Active in the Iranian Community

Malahat Salahshour, Student Activist

Maliheh Mohammadi, Political Activist, Journalist

Maliheh Riazi, Graduate Student of Sociology

Manijeh Nasrabadi, Raha Iranian Feminist Collective

Manijeh S Zargar,

Maryam Ameri, Social Activist

Maryam Amiri, Journalist

Maryam Feiz,

Maryam Khazaeli, Scholar in Gender and Migration Studies, University of Wollongong, Australia

Maryam Mikaniki, Journalist

Mehdi Moghaddam doust, Writer

Mehrzad Mahmoudian, Academic

Messi Shirvani, Journalist, Political Activist

Milad Moharekpour, Student Activist

Mina Ghorbani, Scholar

Mina Khanlarzadeh, Student, Columbia University

Mirardavan Asadi, Student of Project Management, Britain

Misagh Javadpour, Student Activist

Mohaddeseh Vazehi, Student Activist

Mohamad Solaimani, Community Activist

Mohammad Askarzadeh, Architect

Mohammad Habibi, Political Activist

Mohammad Jamshidpour, Cultural Activist

Mohammad Sajjad Naghavi, Engineering Student, Malaya, Malaysia

Mohammad Sam Hosseini, Filmmaker and Political Activist, Munich

MohammadHafez Hakami, Political Activist

Mojtaba Azhenian, Political Activist

Morteza Mohit, Political Activist

Mostafa Raste Moghadam, Journalist

Mozhgan Savabieasfahani, PhD. Environmental Toxicologist, University of Michigan

Naeimeh Doustdar, Journalist, Women`s Rights Activist

Nafiseh Sharifi, PhD Candidate, School of Oriental and African Studies (SOAS), University of London

Nahid Mirhaj, Women`s Rights Activst

Nasim Khosravi Moghaddam, Film Maker, Women`s Rights Activist

Navid Farnia, Scholar and Writer/Editor

Naz Massoumi, Political Activist, Filmmaker and Doctoral Student, University of Bristol

Negin M., Humanitarian Activist

Niaz Salimi, Community Activist

Nikzad Zangeneh, Women`s Rights Activist

Nina Farnia, National Lawyers Guild

Nina Iradji, Human Against Apartheid

Nojan Komeili,

Omid Balaghati, Documentary Filmmaker, Writer, Journalist

Omid Habibinia, Journalist, Film Critic and Media Researcher, General Director of International Association of Independent Iranian Journalists

Oveys Akhavan, Social and Political Activist

Parisa Karimi, Women`s Rights Activist

Pedram Moallemian, Community Activist

Peyman Mostofi, Filmmaker

Pouneh Navabi, Student

Pourya Taghavi, Media Director

Pouyan Fakhraei, Journalist, Political Activist

Raha Bahreini, Lawyer

Reza Raeesi, Student of law

Roozbeh Roostaei, Student, University of Toronto

Sadra Shahab, Civil Rights Activist, Teacher, City Planner

Saeed Pahlevan Sharif, PhD Candidate, Lecturer/Tutor at Taylor`s University

Saeed Soltanpour, Journalist

Saieed Habibi, Political Activist

Salmeh Banisadr, Economist, Montreal

Sam Salehi Samiee, Artist

Samin Sajadi, Documentary Filmmaking Student, New School, NY

Samira Hajizadeh, Architect and Urban Planner

Sanaz Raji, Book Editor, Graduate Journal of Social Sciences

Sara Behforutan, Student

Sara Khaki, Film Maker

Sepehr Makaremi, Student, New York University

Setareh Hashemi, Women`s Rights Activist

Seyyed Hanif Sajedi, Human Rights Activist

Seyyed Mojtaba Vahedi, Journalist

Shadi Jafari, University of California, Irvine

Shahin Kia, Architect

Shahryar Vakili, Medical Student

Shervin Fekri, Student

Shervin Guilani, PhD Student, Universitat Politècnica de Catalunya

Shirin Barghi, New Village Press

Shivan Karimi, Student of Political Sociology

Siamak Aram, Doctoral Student at Polytechnic University of Turin, Italy

Siavash Amini, Composer

Sina Shafai, Student, Iran University of Science and Technology

Soheil Assefi, Journalist

Taraneh Hemami, Artist

Taymaz Azimi Sajjadi, Student of Philosophy and Theology, University of Edinburgh

Tina Gharavi, Film Maker, Newcastle University, UK

Tirdad Bonakdar, Political Activist

Yaser Mirdamadi, University of Edinburgh, Doctorate Student of Islamic Studies

Yashar Salek, Clinical Researcher

Youssef Sohrabian, Political Activist

Zeynab Izadyar, Artist

Zeynab Peyghambarzadeh, Feminist Activist

Zhaleh Shand, Political Activist


 

 

نامه‌ی سرگشاده به محسن مخملباف: پیام رسانِ آزادی برای مردم ایران و فلسطین باشید 

ما گروهی از دانشگاهیان، هنرمندان، روزنامه نگاران، و فعالان مدنی ایران، تصمیم اخیر فیلمساز ایرانی‌، آقای محسن مخملباف، برای شرکت در جشنواره‌ی بین‌المللی فیلم بیت‌المقدس که از سیزدهم تا بیست و دوم تیر برگزار می شود را عمیقن نگران کننده می‌دانیم. شرکت آقای مخملباف در این جشنواره، فراخوان «تحریمفرهنگیودانشگاهیاسرائیل» و نیز فراخوان بین المللی «بایکوت، عدمسرمایهگذاریوتحریمدولتاسرائیل» (BDS) را نقض می‌کند. این فراخوان ها به ترتیب در سالهای ۲۰۰۴ و ۲۰۰۵ توسط جامعه‌ی مدنی فلسطین صادر شده‌است 

ما به خشونتی که توسط دولت اشغالگر اسرائیل علیه فلسطینیان اعمال می‌شود معترضیم و از جنبش مسالمت‌آمیز و جهانی BDS حمایت می‌کنیم. این جنبش در پی اعمال فشار بر دولت اسرائیل است تا تصفیه‌ی قومی-نژادی فلسطینیان، اشغال سرزمین‌های فلسطینی و برقراری نظامِ آپارتاید را متوقف کند

تصمیم آقای مخملباف برای شرکت در جشنواره‌ای که مستقیمن توسط دولت اسرائیل حمایتمالی می‌شود و قرار است از ایشان به شکلویژهای در جشنواره تقدیر شود، به مثابه‌ی حمایت ضمنی وی از سیاست‌های آپارتاید دولت اسرائیل است. ما نسبت به بی‌اعتنایی آقای مخملباف به جنبش جهانیِ دفاع از حقوق فلسطینیان ابراز نگرانی می کنیم

آقای محسن مخملباف از جمله فیلم‌سازان برجسته‌ی ایرانی‌ است که در فیلم‌های خود واقعیت‌های تلخ بخش‌های به‌حاشیه‌رانده شده‌ی جامعه‌ی ایران را با جزئیات به تصویر کشیده‌است. او در سال ۱۹۸۹ با فیلم عروسی خوبان،  واقعیت جنگ ایران‌-عراق را به روی پرده برد و مبارزه‌ی سیاسی و اخلاقیِ انسانهای‌های معمولی را در بسترهای پر از خشونت به تصویر کشید. اصرار آقای مخملبف بر دستیابی به حقیقت و عدالت، منجر به تبعید او از ایران شده‌است. در حالی که فلسطینیان رنج طاقت‌فرسایی را به دوش می‌کشند، ما چگونه می‌توانیم درس‌هایی را که آقای مخملباف به ما آموخته‌است فراموش کنیم؟

چگونه هنرمندی با حساسیت بالا و بجا نسبت به بی‌رحمی‌های دولت ایران، می‌تواند از جنبش بین‌المللی و غیرخشونت‌آمیز BDS و تلاش‌های مسالمت‌آمیز آن برای وادارکردن دولت اسرائیل به رعایت حقوق انسانی‌ مردم فلسطین چشم پوشی کند؟

ما جمعی از ایرانیان، در حالی که سرکوب و خشونت روزانه توسط دولت ایران را محکوم می‌کنیم، حضور آقای مخملباف در جشنواره‌ی بین‌المللی فیلم بیت‌المقدس را مغایر با وجدان انسانی می‌دانیم

ما می‌خواهیم از این فرصت استفاده کنیم و توجه آقای مخملباف را به سمت خواسته‌های جامعه مدنی فلسطین جلب کنیم. در سال ۲۰۰۴ جامعه‌ی مدنی فلسطین از هنرمندان بین‌ المللی درخواست کرد که تا زمانی‌ که دولت اسرائیل به پایمال کردن قوانین سازمان ملل متحد و محروم کردن مردم فلسطین از حقوق پایه‌ای خود پایان نبخشیده‌است، از شرکت در برنامه‌های فرهنگی‌ دولت اسرائیل خودداری کنند

در سه‌ سال گذشته تعداد زیادی از هنرمندان برجسته به این خواسته‌ی مردم فلسطین پاسخ مثبت داده و از حضور در اسرائیل خودداری کرده اند. تعداد دیگری از هنرمندان نیز که ابتدا این دعوت را پذیرفته بودند، تصمیم به لغو برنامه‌های خود گرفتند و حمایت خود را از مبارزه‌ی مردم فلسطین اعلام کردند

اجرای برنامه‌های هنری در اسرائیل یک عمل سیاسی است. دولت اسرائیل آشکارا اعلام کرده‌است که از رویدادهای فرهنگی برای دستگاه تبلیغاتی خود استفاده می‌کند. شکی نیست که این دولت از نام و آوازه‌ی آقای مخملباف نیز سوء‌استفاده خواهد کرد تا سرپوشی بر نقض نظام‌مند حقوق مردم فلسطین گذاشته باشد. دولت اسرائیل از حضور آقای مخملباف در جشنواره به عنوان شاهدی برای اثبات «رواداری» خود استفاده خواهد کرد. این در حالی است که این دولت به اِعمال غیرروادارترین قوانین استعماری علیه مردم فلسطین اقدام می کند، و مدافع بی سابقه ترین تحریم های کمرشکن علیه مردم ایران است

فیلم‌های آقای مخملباف برای یک جمعیت دست‌چین‌شده به نمایش درخواهد آمد. تعداد محدودی از طرفداران فلسطینی ایشان در غزه یا کرانه‌ی باختری اجازه‌ی حضور در بیت‌المقدس و تماشای فیلم را خواهند داشت. همچنین چهار و نیم میلیون فلسطینیِ پناهنده نیز اجازه‌ی رفت و آمد آزادانه به سرزمین خود را ندارند

جشنواره‌ی بین‌المللی بیت‌المقدس در مجموعه ای به نام «اورشلیم سینماتیک» برگزار می‌شود. این مجموعه بین سهروستایفلسطینی واقع است که در سال ۱۹۴۸ هدف پاکسازی‌های قومی-نژادی دولت اسرائیل بوده‌اند. ما، بر خلاف خواسته‌ی دولت اسرائیل، نمی‌توانیم تاریخ و یادگار روستای دایر آبان (با جمعیت ٢٤٣٦ نفر در سال ۱۹۴۸)، روستای جَرَش (با جمعیت ۲۲۰ نفر در سال ۱۹۴۸) وروستای بیت نتیف (با جمعیت ٢٤٩٤ نفر در سال ۱۹۴۸) و نیز رنج و مبارزه‌ی بالغ بر ۳۰،۰۰۰ تن از فرزندان پناهنده‌ی آن‌ها را فراموش کنیم

ما از آقای مخملباف که فیلم های‌شان یادآور زندگی‌ در خرابه‌ها و کوچ‌های اجباری هستند می‌خواهیم تا با پیوستن به جنبش بین المللی «بایکوت، عدم سرمایه‌گذاری و تحریم دولت اسرائیل»، شاهد مسئولی بر کوچ‌های اجباریِ مردم فلسطین باشند

ما با سرکوب دولت ایران علیه شهروندان بی‌گناه آشنا هستیم؛ به خصوص علیه جامعه‌ی بهایی که موضوع آخرین فیلم آقای مخملباف است. ما به سرکوب‌هایی که منجر به تبعید آقای مخملباف از سرزمین مادری خود شده آگاهیم و با ایشان که قربانی آزار و اذیت دولت ایران بوده‌است اعلام هم‌دردی و همبستگی می‌کنیم. در همین حال بر مسئولیت‌‌ سیاسی و اخلاقی‌مان به عنوان انسان برای ایستادن مقابل سرکوب و استبداد، در هر کجای دنیا، اصرار می‌ورزیم

ما نمی‌توانیم با تصمیم آقای مخملباف همراهی کنیم. دولت اسرائیل از شرکت ایشان در جشنواره‌ی بین‌المللی فیلم بیت‌المقدس برای مشروعیت بخشیدن به اشغال سرزمین‌های فلسطینی، آپارتاید و پاکسازی‌های قومی-نژادی استفاده خواهد کرد

ما نه تنها از آقای مخملباف می‌خواهیم تا به جنبش فراگیر «بایکوت، عدم سرمایه‌گذاری و تحریم دولت اسرائیل»  بپیوندند، بلکه از ایشان می‌خواهیم تا پیام‌آور آزادی برای همگان از جمله مردم فلسطین و ایران باشند

 

رسالة مفتوحة الى محسن مخملباف

نحن، الموقعين ادناه، مجموعة مكونة من مثقفين وفنانين وناشطين ايرانيين يشعرون بأسف عميق إزاء القرار الحديث للمخرج الإيراني محسن مخملباف للمشاركة في مهرجان القدس السينمائي الدولي الذي سيقع من ٤ الى ١٤ من  يوليو،٢٠١٣. مشاركته تقف ضدالدعوةالدوليةلمقاطعةوسحبالاستثماراتمن، وفرضالعقوباتعلىدولةإسرائيل (بيدياس) التي صدرت من المجتمع المدني الفلسطيني في عام (٢٠٠٥) إضافة إلى الدعوةالخاصةللمقاطعةالاكاديميةوالثقافيةعلىإسرائيل التي صدرت في شهر يوليو من عام  (٢٠٠٤

 كانسانيين، نشعر بالفزع من وحشية الإحتلال الإسرائيلي لفلسطين ونؤيد الحركة العالمية السلمية التي تسعى لوضع الضغط على إسرائيل لتغيير سياساتها وإيجاد حل عادل لإحتلالها للأراضي الفلسطينية منذ عام (١٩٦٧) وتنفيذها لنظام فصل عنصري. نشعر بأسى عميق ازاء تجاهل السيد مخملباف للحركة العالمية من اجل الحقوق الفلسطينية وأن قراره للمشاركة في مهرجان سينمائي برعايةمباشرةمنقبلالحكومةالإسرائيلية يمثل دعم ضمني لسياسات اسرائيل ضد الفلسطينيين، خاصةً عند الأخذ بعين الإعتبار بأنه سوف يكرم بشكلبارز من قبل هذا المهرجان بإشادة خاصة

محسن مخملباف المخرج الايراني البارز الذي تمكن على مدار الأعوام الماضية من تصوير الظروف القاسية لاكثر الطبقات المهمشة في المجتمع الايراني و بأدق التفاصيل.كما في فليمه “زوج المباركين”(١٩٨٩) على سبيل المثال الذي سرد من خلاله وقائع الحرب بين ايران و العراق وبين لنا النضالات الأخلاقية والسياسية لمواضيع عادية في سياقات عنيفة.أرانا من خلال هذا الفيلم كيف نكون شاهدي عيان على واقع العنف. اصراره المستمر على الحق والعدالة انهى به الى المنفى بعيدا عن وطنه. كيف يمكن لنا أن ننسى ما علمنا اياه هو نفسه عندما يتعلق الموضوع بالحديث عن معاناة الفلسطينيين التي تتطلب وقفة جادة منا  ؟

نشعر بالصدمة حيال هذا القرار الصادر عن فنان من المفترض انه يفهم تماما ما يعنيه العيش في ظل نظام قمعي ظالم من خلال تجربته في بلده و التي كان من المفترض ان تكون سبب كافيا لمنعه من تجاهل النداء الدولي لحركة مقاطعة اسرائيل و سحب الاستثمارات منها و فرض العقوبات عليها (بي دي اس) و الجهود السلمية التي تبذلها هذه الحركة من أجل الضغط على دولة اسرائيل و إجبارها على احترام حقوق الانسان للفلسطينيين. كإيرانيين رافضين للقمع اليومي و القهر الممارس من قبل الدولة الايرانية، نجد مشاركة السيد مخملباف في مهرجان القدس السينمائي الدولي غير مقبولة

نود أن ننتهز هذه الفرصة لتذكير السيد مخملباف بالنداء الذي وجهه المجتمع المدني الفلسطيني من مناشدة للفنانين العالميين بعدم المشاركة في أحداث ثقافية داخل اسرائيل في ظل استمرار تجاهلها لقرارات الامم المتحدة، خرق القانون الدولي ،و حرمان الفلسطينيين من حقوقهم الأساسية. خلال السنوات الثلاث الماضية استجاب العديد من الفنانين و الفنانات البارزين لنداء المقاطعة من خلال رفضهم القدوم الى اسرائيل، بالاضافة الى حالات تم فيها قبول الدعوة بشكل مبدأي و من ثم قاموا بالغاء عروضهم،و تفضيلهم اعلان دعمهم لنضالات الشعب الفلسطيني ضد الاحتلال الاسرائيلي

الأداء الفني اليوم  في إسرائيل موقف سياسي. تعترف إسرائيل بشكل مفتوح باستخدام الفعاليات الثقافية كاداة دعاية و ليس لدينا أي شك  أنها ستستخدم مثال السيد مخملباف لحملتها العالمية لتمويه الانتهاك المنهجي لحقوق الإنسان الأساسية للشعب الفلسطيني. وجود السيد مخملباف سيستخدم كرمز "للتسامح" الاسرائيلي بينما تستمر إسرائيل في تنفيذ السياسات الاستعمارية الأكثر تعصباً مثل الفصل والتشريد والسلب.   سيتم عرض أفلام السيد مخملباف أمام جمهور منفصل. فقط عدد قليل من محبيه الفلسطينين في غزة والضفة الغربية - ناهيك عن 4.5 مليون لاجئ في أماكن أخرى أيضاً ممنوعون من الحركة الحرة في بلادهم - سيسمح لهم بمشاهدة هذا الفيلم

سيتم إقامة مهرجان القدس السينمائي الدولي في سينامتيك القدس،المقام بين ٣ قرىفلسطينيةتمتطهيرهاعرقيا من قبل دولة اسرائيل عام ١٩٤٨.ما تبقى من هذه القرى اليوم يطل على السينماتك.لن ننسى (كما تريد لنا حكومة اسرائيل) تاريخ و ذكرى هذه القرى … دير أبان (١٩٤٨،عدد السكان:٢٤٣٦)،جرش (١٩٤٨،عدد السكان:٢٢٠)،و بيت نتيف (١٩٤٨،عدد السكان:٢٤٩٤)،كما لن ننسى معاناة اللاجئين من هذه القرى الذين يبلغ تعدادهم اليوم أكثر من ٣٠٠٠٠ نسمة. نطالب السيد مخملباف، الذي تعد أفلامه عبارة عن تجسيد للحياة في حالة الخراب و التشريد أن يتذكر التهجير الذي عانى و يعاني منه الشعب الفلسطيني و ينضمن الى حركة مقاطعة اسرئيل )(بي دي اس 

كوننا ايرانيون فاننا نعرف حقائق القمع والعنف والوحشية من قبل الدولة ضد المدنيين الأبرياء. هذا ينطبق بشكل خاص فيما يتعلق بالمجتمع البهائي، موضوع أحدث أفلاممخملباف. نحن ندرك القمع التي أدى إلى منفى السيد مخملباف ونتعاطف مع معاناته كمخرج تعرض للاضطهاد من قبل النظام الإيراني. ولكن نصر مرة أخرى على مسؤليات جميع البشر لمقاومة الظلم والطغيان أينما كانو

لا يمكننا بضمير مرتاح الوقوف إلى جانب السيد مخملباف وقراره الذي حتماً سيؤيد شرعية الاحتلال والتمييز العنصري والتطهير العرقي الاسرائيلي.  نطلب من السيد مخملباف ليس فقط الوقوف مع حركة المقاطعة ولكن أن يكون حاملاً لرسالة التحرير للجميع بمافيهم الفلسطينيين و الإيرانيين

 

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Past is Present: Settler Colonialism Matters!

On 5-6 March 2011, the Palestine Society at the School of Oriental and African Studies (SOAS) in London will hold its seventh annual conference, "Past is Present: Settler Colonialism in Palestine." This year`s conference aims to understand Zionism as a settler colonial project which has, for more than a century, subjected Palestine and Palestinians to a structural and violent form of destruction, dispossession, land appropriation and erasure in the pursuit of a new Jewish Israeli society. By organizing this conference, we hope to reclaim and revive the settler colonial paradigm and to outline its potential to inform and guide political strategy and mobilization.

The Israeli-Palestinian conflict is often described as unique and exceptional with little resemblance to other historical or ongoing colonial conflicts. Yet, for Zionism, like other settler colonial projects such as the British colonization of Ireland or European settlement of North America, South Africa or Australia, the imperative is to control the land and its resources -- and to displace the original inhabitants. Indeed, as conference keynote speaker Patrick Wolfe, one of the foremost scholars on settler colonialism and professor at La Trobe University in Victoria, Australia, argues, "the logic of this project, a sustained institutional tendency to eliminate the Indigenous population, informs a range of historical practices that might otherwise appear distinct--invasion is a structure not an event."[i]

Therefore, the classification of the Zionist movement as a settler colonial project, and the Israeli state as its manifestation, is not merely intended as a statement on the historical origins of Israel, nor as a rhetorical or polemical device. Rather, the aim is to highlight Zionism`s structural continuities and the ideology which informs Israeli policies and practices in Palestine and toward Palestinians everywhere. Thus, the Nakba -- whether viewed as a spontaneous, violent episode in war, or the implementation of a preconceived master plan -- should be understood as both the precondition for the creation of Israel and the logical outcome of Zionist settlement in Palestine.

Moreover, it is this same logic that sustains the continuation of the Nakba today. As remarked by Benny Morris, “had he [David Ben Gurion] carried out full expulsion--rather than partial--he would have stabilised the State of Israel for generations.”[ii] Yet, plagued by an “instability”--defined by the very existence of the Palestinian nation--Israel continues its daily state practices in its quest to fulfill Zionism’s logic to maximize the amount of land under its control with the minimum number of Palestinians on it. These practices take a painful array of manifestations: aerial and maritime bombardment, massacre and invasion, house demolitions, land theft, identity card confiscation, racist laws and loyalty tests, the wall, the siege on Gaza, cultural appropriation, and the dependence on willing (or unwilling) native collaboration and security arrangements, all with the continued support and backing of imperial power. 

Despite these enduring practices however, the settler colonial paradigm has largely fallen into disuse. As a paradigm, it once served as a primary ideological and political framework for all Palestinian political factions and trends, and informed the intellectual work of committed academics and revolutionary scholars, both Palestinians and Jews.

The conference thus asks where and why the settler colonial paradigm was lost, both in scholarship on Palestine and in politics; how do current analyses and theoretical trends that have arisen in its place address present and historical realities? While acknowledging the creativity of these new interpretations, we must nonetheless ask: when exactly did Palestinian natives find themselves in a "post-colonial" condition? When did the ongoing struggle over land become a "post-conflict" situation? When did Israel become a "post-Zionist" society? And when did the fortification of Palestinian ghettos and reservations become "state-building"?

In outlining settler colonialism as a central paradigm from which to understand Palestine, this conference re-invigorates it as a tool by which to analyze the present situation. In doing so, it contests solutions which accommodate Zionism, and more significantly, builds settler colonialism as a political analysis that can embolden and inform a strategy of active, mutual, and principled Palestinian alignment with the Arab struggle for self-determination, and indigenous struggles in the US, Latin America, Oceania, and elsewhere.

Such an alignment would expand the tools available to Palestinians and their solidarity movement, and reconnect the struggle to its own history of anti-colonial internationalism. At its core, this internationalism asserts that the Palestinian struggle against Zionist settler colonialism can only be won when it is embedded within, and empowered by, the broader Arab movement for emancipation and the indigenous, anti-racist and anti-colonial movement--from Arizona to Auckland.

SOAS Palestine Society invites everyone to join us at what promises to be a significant intervention in Palestine activism and scholarship.

For over 30 years, SOAS Palestine Society has heightened awareness and understanding of the Palestinian people, their rights, culture, and struggle for self-determination, amongst students, faculty, staff, and the broader public. SOAS Palestine society aims to continuously push the frontiers of discourse in an effort to make provocative arguments and to stimulate debate and organizing for justice in Palestine through relevant conferences, and events ranging from the intellectual and political impact of Edward Said`s life and work (2004), international law and the Palestine question (2005), the economy of Palestine and its occupation (2006), the one state (2007), 60 Years of Nakba, 60 Years of Resistance (2009), and most recently, the Left in Palestine (2010).

For more information on the SOAS Palestine Society 7th annual conference, Past is Present: Settler Colonialism in Palestine: www.soaspalsoc.org

SOAS Palestine Society Organizing Collective is a group of committed students that has undertaken to organize annual academic conferences on Palestine since 2003.

 


[i] Patrick Wolfe, Settler Colonialism and the Transformation of Anthropology: The Politics and Poetics of an Ethnographic Event, Cassell, London, p. 163

[ii] Interview with Benny Morris, Survival of the Fittest, Haaretz, 9. January 2004, http://cosmos.ucc.ie/cs1064/jabowen/IPSC/php/art.php?aid=5412